Nawin Nuthong
artist & curator
member of
Speedy grandma
ξοΈξοΈξοΈξοΈ
ξ‘οΈξΏοΈ
ART
PROJECT
ξ©οΈAleaf
A room, where they are COEVALs (2021)
ξ©οΈ
ξοΈξοΈξοΈξοΈ
ξ‘οΈξοΈ
_Curatorial
- Mappa(2020)
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The mystery shack 999(2018)
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That Familiar(2018)
- This nor mundane (2017)
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Blue boy ΰΉΰΈ¨ΰΈ£ΰΉΰΈ²ΰΈ«ΰΈΰΈΈΰΉΰΈ‘(2017)
ξοΈξοΈξοΈξοΈ
ξ‘οΈξοΈ
_Collab in
Curatorial
practice
- To whom it may concern. (2018)
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Intimate politics(2016)
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ξοΈξͺοΈξοΈ
_Other
-
Threshold of the Moonkin(2018)
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_Publication
&Zine
- The conjunction of self, History & Love of simulation(2019)
- SUNDUKDIK (2019)
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BOOOSEUM (2019)
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Why canβt we talk to magic tree(2018)
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The Mountain Climber(2018)
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Brift LORE 2 begin(2)
-
Wrold Wordl World(2016)
ξοΈξοΈξοΈξοΈ
ξ½οΈ. ξ½οΈ
ξΊοΈξ»οΈξΊοΈ
_Platform
- Speedy grandma (2019+)
-
Booseum (2019+)
- Wrold Wordl World(2016)
ξοΈξοΈξοΈξοΈ
ξ‘οΈ
ξ
οΈοΈοΈposter
MAPPA
ββββββββββββββββββββββββββββββββββββββ Project by Speedy Grandma
Curator: Nawin Nuthong
Artists:
Unchalee Anantawat,
Pasuth Sa-Ingthong,
Worakun Sittipochai,
Poom Nuthong
Supported by The Shophouse 1527
In Greek legends, Null Island is said to be the origin of all destructive monsters. It had then become the coordinate (0,0) that the sea explorers used as references to directions, and in more recent history, it also became a virtual location where digital waste gather. Null Island, hence, has its own life both as an ancient legend and as a trash bin in this digital age. Regardless of its status, how people assign meanings to this island signify humanβs attempt to understand the relations between oneself and the worldβs terrain that is so vast it seems boundless, to anchor ourselves so as to be reminded of our own presence or its past, or to imagine new relations of ourselves and the surrounding. It is an act of map-making. Thus, this exhibition, MAPPA, is the exploration of the possibilities of map-making in the time when game developers gave us Wold edit or Mod, a tool with which we could upend the existing physics.
MAPPA
ββββββββββββββββββββββββββββββββββββββ Project by Speedy Grandma
Curator: Nawin Nuthong
Artists:
Unchalee Anantawat,
Pasuth Sa-Ingthong,
Worakun Sittipochai,
Poom Nuthong
Supported by The Shophouse 1527
In Greek legends, Null Island is said to be the origin of all destructive monsters. It had then become the coordinate (0,0) that the sea explorers used as references to directions, and in more recent history, it also became a virtual location where digital waste gather. Null Island, hence, has its own life both as an ancient legend and as a trash bin in this digital age. Regardless of its status, how people assign meanings to this island signify humanβs attempt to understand the relations between oneself and the worldβs terrain that is so vast it seems boundless, to anchor ourselves so as to be reminded of our own presence or its past, or to imagine new relations of ourselves and the surrounding. It is an act of map-making. Thus, this exhibition, MAPPA, is the exploration of the possibilities of map-making in the time when game developers gave us Wold edit or Mod, a tool with which we could upend the existing physics.
