Shrink!, the Leaf
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︎︎︎Sketch (2025)
Siam International Animation Festival 2025
Exibhtion title: Real-time, Really?
Venue: Thai Film Archive
10.09.2025 - 21.09.2025
︎︎︎
By the stretching of projection ,monitor and object that glittering with animated pixel.gif.
as a poetic shrink scale that left the little leaf at its tail.
Juxtapozing Frame, pixels, objects, express of curiosities and hope in political in the specific times
As a resource that waits for re-formulation of our understanding of human history through a multiversal lens.
This installation, featuring the animated pixel.gif "2 sec before revolution in a leaf," is an exploration of what I call "Half-leaf Democracy," a term scholars use to describe Thai politics from 1980 to 2025. In this period, and particularly now in 2025, we have a government where different political ideologies—conservative, liberal, and militant—share power. This is a crucial point, as it shows how political parties that once symbolized clear ideologies have lost their original meaning and purpose.
My interest is in that leaf, but as an object. More than a metaphor, it is a physical form made to resemble a pixelated.
︎︎︎
︎︎︎Exibhition view
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︎︎︎screen that use in installation, borrow from Thai Film Archive
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︎︎︎capture from “Seeker exidentally Hungry”(2022)”
Exibhtion title: Real-time, Really?
Venue: Thai Film Archive
10.09.2025 - 21.09.2025
︎︎︎
By the stretching of projection ,monitor and object that glittering with animated pixel.gif.
as a poetic shrink scale that left the little leaf at its tail.
Juxtapozing Frame, pixels, objects, express of curiosities and hope in political in the specific times
As a resource that waits for re-formulation of our understanding of human history through a multiversal lens.
This installation, featuring the animated pixel.gif "2 sec before revolution in a leaf," is an exploration of what I call "Half-leaf Democracy," a term scholars use to describe Thai politics from 1980 to 2025. In this period, and particularly now in 2025, we have a government where different political ideologies—conservative, liberal, and militant—share power. This is a crucial point, as it shows how political parties that once symbolized clear ideologies have lost their original meaning and purpose.
My interest is in that leaf, but as an object. More than a metaphor, it is a physical form made to resemble a pixelated.
︎︎︎
︎︎︎Exibhition view


︎︎︎screen that use in installation, borrow from Thai Film Archive

︎︎︎capture from “Seeker exidentally Hungry”(2022)”
︎︎︎Half leave Studie work (2023)
︎︎︎ Many Magnifying (2024)
About the Exibhition:
Step into an exhibition that digs deep into the roots and essence of animation—breaking free from the screen and inviting you into immersive installations and interactive experiences far from traditional cinema.
The exhibition is coming to life with the help of Eyedropper Fill, the team of acclaimed Thai experimental artists behind the heartwarming project HOMECOMING in collaboration with Nat Setthana, a Bangkok-based art practitioner with a focus on the ‘situationness’ of the medium. Now, they lead us toward a new world of animation.
This showcase bridges audiences with the creative visions of Asian artists including Fukumi Nakazawa (Japan), TSAI Yi-Chin (Taiwan), Nawin Nuthong (Thailand), Chanya Hetayothin (Thailand), and Thanut Rujitanont (Thailand). Experience animation that transcends storytelling—where sight, sound, and emotion converge.
Exhibition design by Nat Setthana
︎︎︎Exibhition view

︎︎︎Exibhition view
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